Review before create
Audition every proposed change before it touches the timeline.
Everything Um Out does
Um Out finishes the repetitive first pass inside Premiere Pro. Every tool below proposes changes you preview, adjust, and undo. Nothing touches your timeline until you approve it.
Get Um OutThe one to try first
Point Um Out at a VOD and it reads the whole thing: where the energy is, where chat gets involved, and crucially where you stay on one subject long enough for a viewer to follow. It comes back with the stretches that are actually a video, anywhere from 10 to 40 minutes, and tells you what happens in each one.
It knows the difference between three parts of the same activity and three different videos, so you do not scrub through four proposals that turn out to be the same bit. Titles come from what you actually said. Dead air and detours are trimmed out as it builds each cut.
Finding the segments runs on your machine and is included with every plan. Naming them, writing the summaries, and building each cut are part of Um Out Plus.
Cut the dead air and the stumbles without flattening how you actually talk.
Finds every removable pause on your dialogue track and shows you each one before it cuts, picture and sound together.
How silence removal works →Removes the ums and stumbles that were never part of how you talk, and leaves the ones that were.
How filler removal works →Finds the places you said the same line twice and drops the attempt you abandoned.
How take matching works →Readable captions and purposeful motion, written as real, editable Premiere objects.
Word-for-word captions as real Premiere text graphics, not a burned-in overlay or a sidecar file.
How captions work →Small scale beats placed where the delivery earns emphasis, written as keyframes you own.
How punch-ins work →Restrained zooms at the points the content turns, and nothing in between.
How smart zooms work →Turn one recording into more finished pieces without leaving the project.
Reads your project bin and proposes where footage you already shot belongs.
How B-roll matching works →Turns every moment you called out on stream into a cut.
How Clip That works →Ranks the moments that stand alone and builds a 9:16 sequence from the one you pick.
How shorts are built →An AI that can see your sequence and transcript, so it answers about your edit rather than about editing.
What Um Bot can see →Local by default. Cloud only after you say so, and only for what you send.
Silence detection, planning, media inspection, and supported transcription run on your machine. Unlimited, included with every license.
Send semantic requests straight to the AI provider you choose. Keys stay in your OS credential store, never on our servers. With a key configured, the highlights finder hands each segment’s transcript to a model to name it and write its titles; without one it does the same job offline from your own words.
Hosted Um Bot and speech processing with zero key setup. Your media is never uploaded, only the short text summary needed to answer. Rolling out now; local processing stays unlimited.
Audition every proposed change before it touches the timeline.
Edits land as ordinary Premiere clips, graphics, and keyframes you can refine by hand.
Reject one change or undo the whole operation whenever you change your mind.
Your footage is never silently uploaded. You are told what leaves the device.
When a timeline is not safe to rebuild, Um Out stops before touching it and names the reason and the fix.
Every rebuild is verified afterward. A cut it cannot confirm is reported as a failure, never as a success.
Honest about what is not shipping yet. These arrive after the core tools earn repeat use.
Find and place licensed external footage. Ships once a provider agreement and license terms are signed.
Switch speakers and layouts into a reviewable multicam pass.